Many of Mondrian's
later works have a very familiar appearance. They are very geometric,
consisting of rectangular colour spaces separated by vertical or
horizontal black lines. They appear to follow some simple rules. In
an attempt to discover these rules and hence produce similar images I
constructed the following image comprising six separate panels each
constructed according to the same rules.
- Divide each panel by a horizontal or vertical line to create two smaller panels
- Apply rule 1 to the smaller panels and repeat this division process
- Colour the eventual subpanels red, blue, yellow or white
- At most one subpanel can be coloured red, blue or yellow
A very large number of
Mondrian-ish panels could be created this way. The image above shows
only six examples.
In fact, each of the
panels shown in the image above has been generated using a more
restricted set of rules. The subdivision is always - first horizontal, then
vertical and finally horizontal. We always end up with exactly eight
smallest panels. The subdivision is always in the ratio 1 to 2 or 1
to 3. I always made sure I used each of the non-white colours exactly
once, rather than at most once.
Mondrian never obeyed
such strictures.
Even so, my attempts
are remarkably reminiscent of some of Mondrian's Compositions.
Of course, they lack the "weights and tensions ... [that] provoke relationships that concentrate or diffuse attention" [Bridget Riley, Mondrain Perceived]. That would require a great artist to guide the choice of division and the choice of colour, not just a set of rules.
Nevertheless, I continue the search for rules that get me closer to Mondrian's actual images.
Of course, they lack the "weights and tensions ... [that] provoke relationships that concentrate or diffuse attention" [Bridget Riley, Mondrain Perceived]. That would require a great artist to guide the choice of division and the choice of colour, not just a set of rules.
Nevertheless, I continue the search for rules that get me closer to Mondrian's actual images.